a5c7b9f00b Lenny Cole, a London mob boss, puts the bite on all local real estate transactions. For substantial fees, he's helping Uri Omovich, a Russian developer. As a sign of good faith, Omovich loans Cole a valuable painting, promptly stolen off Cole's wall. While Cole's men, led by the dependable Archie, look for the canvas, three local petty criminals, the Wild Bunch, steal money from the Russian using inside information from his accountant, the lovely Stella. Meanwhile, a local drug-addled rocker, Johnny Quid, is reported drowned, and his connection to Cole is the key to unraveling the deceits and double crosses of life in the underworld.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player – a drugged-out rock 'n' roller presumed to be dead but very much alive – has a multi-million-dollar prize fall into his hands.
The film-making here leverages a very simple idea that I'm amazed isn't used more: a reliance on narration, both over and in the film. Usually, the idea is to avoid excessive explaining and simply show what you need to. But Richie goes to the other extreme, distracting us from the fact that it isn't cinematic by using overtly flashy edits.<br/><br/>This reliance on explaining allows him to exploit multiple simultaneous cons. Everyone here has some duplicity underway and most have some independent storywell. Itsif Richie starts with a specific number of characters, makes a pass through on having each subvert the reality of the others, selects which main and alternate realities to follow in voice, and then adds some humanizing or interesting strokes.<br/><br/>I don't think I could take more than one of these every three years. I'd rather live in cinema than syncopated radio. But it is rather clever here, especially the business about performing: we have the rock performer (who is too stoned to perform), the painting (which we never see) and the performing accountant (whose sex is icy)the tokens of the visual cinema.<br/><br/>Ted's Evaluation – 3 of 3: Worth watching.
You buy a bottle of Guinness, a bar or Lindt dark chocolate or you boil yourself and egg and eat it on toast and you're not going to get many surprises, you'll get what you paid for but you'll enjoy then just the same. Guy Ritchies's gangster films are just like that: you know what you're in for and there ain't a single surprise, but you enjoy them just the same. Ritchie has his formula and it's a winner.<br/><br/>When, in the past he's strayed from that formula, he's ended up with egg on his face, so he's best off sticking to his formula: a convoluted plot, a set of stereotypical London gangster, loads of witty one-liners, and all of it presented in a fast-cut style and two hours later you rise from your seat sufficiently entertained. That's it.<br/><br/>Ritchie is never going to win an Oscar, never going to gain kudos from 'cineastes', butlonghe delivers the goods - and sticks to his formula - he'll always have an audience. That's it really.
Ritchie concocts a crime-jungle demimonde that's organically linked to the real world, and it's a damn fun one to visit.
The script for RocknRolla was written by English film director and screenwriter <a href="/name/nm0005363/">Guy Ritchie</a>. People ask the question what's a RocknRolla? And I'll tell 'em it's not about drums, drugs, and hospital drips, oh no. there's more there than that, my friend. We all like a bit of the good life - some the money, some the drugs, others the sex game, the glamour, or the fame. But a RocknRolla, oh, he's different. Why? Because a real RocknRolla wants the fucking lot. –Archy (<a href="/name/nm0835016/">Mark Strong</a>) As Archy tells Johnny Quid (<a href="/name/nm1527905/">Toby Kebbell</a>): "It cost a very wealthy Russian an arm and a leg (implying Uri)". Tank (<a href="/name/nm1996829/">Nonso Anozie</a>) meets Archy at Lenny (<a href="/name/nm0929489/">Tom Wilkinson</a>)'s office and tells him, "I have a bit of news about your painting". Cut to a scene of Lenny interrogating two men. Handsome Bob (<a href="/name/nm0362766/">Tom Hardy</a>) met Stella's husband at her party and he agreed to go out with him if he could get Bob the file. In another scene Bob, is on the phone with Stella's husband and he tells Bob where to pick up the file. He and Mumbles (<a href="/name/nm0252961/">Idris Elba</a>) pick it up, call One Two (<a href="/name/nm0124930/">Gerard Butler</a>) and arrange to meet at his place where Archy is waiting. Tank calls him and tells him "first I find your painting, now I find out who's been taking Lenny's money". In the scene after Lenny shoots Johnny, Archy takes the file from Bob and reads from it. He tells Lenny, "but I've seen this name many times over the last 20 years and I always wondered…", and then it goes to a flashback of Archy in Lenny's office looking at a piece of paper and asking, "…who is this Sydney Shaw, Len?" Lenny snatches the paper away from him and tells him, "nothing to do with you". It's obvious Sydney Shaw was Lenny's alias and Archy being so close to Lenny knew he used that name. When Archy goes to pick up Lenny's two million from the Spealer, he says in his narration, "the Wild Bunch have had to put a little extra money on top to ignite Lenny's contacts and maybe, just maybe, Lenny's magic wand can make Bob's legal paperwork mysteriously disappear". Cut to the scene where Bob surprises One Two at Spealer, Archy calls him and tells him, "someone lose a bit of paperwork did they, One Two? Yeah well next time you remember that's exactly why you pay Lenny, understood?" "Rock and Roll Queen" by The Subways. The song used in the later trailer is "I'm a Man" by Black Strobe. Archy says, "You'll never sing the same if your teeth ain't your own." Possibly. At the end of the film, there is a title card stating, "Johnny, Archy and the Wild Bunch will be back in The Real RocknRolla", and Thandie Newton (Stella) has been quoted in MTV Movies Blogsaying, "RocknRolla is one of three films and Guy's keen to get going on that straightaway." The working title for the third movie is Rocknrolla Suicide and, according to Ritchie, would bring the characters to America. It is implied that they are both killed. Stella is probably killed by Uri's assistant Victor after Uri see that she has his painting. Her death isn't shown on screen, but is implied when Victor asks for his gloves on his way in. Uri's death is implied when Archy tells Johnny that the painting "cost a very wealthy Russian an arm and a leg". Both deaths are implied, but neither are confirmed. Perhaps it will be explained in The Real Rocknrolla.
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